Black Burns Fast delivers a funny, sharp, and at times surprisingly tender look at growing up in a South African context

The title sequence, with its comic-book-inspired graphics, immediately introduced me to the style and tone of the film. The use of game-inspired graphics brings lightness to sensitive moments, while a combination of visual and in-camera effects gives the film a unique edge. Pierre de Villiers’ cinematography stands out and suits the story well, also contributing to the humour within the scenes. Michael Botha’s sound design follows the film’s game-inspired style, with sound effects that help complete the film’s mood. However, the pacing, visual effects, and game-like sound effects are quite prominent, and while this gives the film a modern feel, it might not resonate with everyone. The film’s style will entertain younger viewers, while the story and sense of humour will appeal to all ages.

The diverse cast delivers a few stereotypical portrayals of typical South Africans that one would easily recognise in real life, without the film apologising for it. Actors Esihle Ndleleni and Muadi Ilung portray Luthando and Ayanda well. However, it’s actor Mila Smith, who plays Luthando’s best friend Jodie, who shines in several scenes with her perfectly dry, unconventional humour and sincere portrayal of the more emotional moments in the storyline.

The film illuminates important issues such as racism, classism, and sexuality with sensitivity, while still retaining our distinctive, direct South African humour. Although the focus falls on Luthando’s sexuality, it would have been interesting if the film had also explored systemic change, or at least had one white character who deviated from the stereotypes.

The film’s ending is sweet and leaves room for a possible sequel. If you’re in the mood for a bit of a laugh and to remember your own teenage days, this is the perfect film to watch. It is certainly an ode to the poet, Sappho.