Variations on a Theme: Visual Poetry of the Rural Landscape and Its People

Review

12/05/2026

“On 18 July 1941, Petrus Jakobus Beukes, together with twelve other men, walks for the first time out of Kharkams’s winding dirt roads, heading south.” These words are co-director Jason Jacobs’s introduction to Variations on a Theme — his version of “once upon a time” and the beginning of a story that remains relevant today and tugs at the viewer’s heart.

Variations on a Theme appears at first glance to be a documentary, but according to Jacobs it is more accurately a fictional meditation on heritage, with characters whose daily existence is inspired by their real lives. The central focus falls on the goat herder, Ouma Hettie, who celebrates her eightieth birthday over the course of the film. Jacobs and his co-director Devon Delmar also offer glimpses into the lives of four other characters. As editor, Delmar weaves together fragments from each character’s life across a period of five days.

With Jacobs and Delmar’s previous film, Carissa, the team enlisted community members to play all the roles except for the lead character and one other. The 74-year-old Ouma Wilhelmina Hesselman — with no professional background whatsoever — earned a nomination for Best Supporting Actress at the Silwerskerm Festival. With Variations on a Theme, Jacobs and Delmar saddle up a wild horse (or perhaps more fittingly, a goat or a donkey), by using only local residents, the goats, and even a cat to tell the story.

How did they pull it off? “Our people, from Kharkams, Kammieskroon, Garries, Springbok, Wupperthal, Nourivier, Rooifontein, carry within them an innate way of storytelling that works across all genres and all mediums. My memory lives in the stories I was told growing up,” he explains.

Cinematographer Gray Kotzé captures the Kamiesberg with his camera as his paintbrush, in a deeply contemplative way. For those of us who have never visited Namaqualand, he offers an opportunity to reflect on the landscape and its people. Meanwhile, the soundtrack by Mikhaila Alyssa Smith and Sean Devonport accompanies us on this journey of reflection. The sound department consists of ten individuals — proof that the filmmakers took sound seriously, something that is not always the case in South African films.

According to Jacobs, Variations on a Theme is a passion project and a labour of love. It is, however, a film with a slow pace — one that many viewers, accustomed to the rapid tempo of modern smartphone culture, will likely find tedious. Just as Ouma Hettie takes her goats out to graze unhurriedly each day and patiently waits until they are satisfied, the viewer must absorb the film’s story in the same spirit. The film has been recognised with several awards, including Best Film at both the Rotterdam International Film Festival and the Joburg Film Festival. But it is certainly not for everyone — or perhaps more accurately, not for every day. It is for that day when you are ready to be still: to visit an art museum, or perhaps simply to admire the nature around you.

Production Information

Running Time

65 min

Writer and Director

Devon Delmar and Jason Jacobs

Screens

s

Age Restriction

PG

Cast

Hettie Farmer, Gladwin van Niekerk, Magdalena Links, and Jason Jacobs (as the narrator)

Rating

3.5/5

Box Office

See NFVF

Written by Anna-Marie Jansen van Vuuren

Professor Anna-Marie Jansen van Vuuren is a senior lecturer and research coordinator for the Film and Visual Communication, programme at the Faculty of Arts, at the Tshwane University of Technology. She specializes in research topics related to “identity” and “representation” in South African cinema—but in plain English: she loves movies, and she loves looking deeply at them.

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