A Kind of Madness – A Beautiful Glimpse into Memories of Days Gone By

Review

A Kind of Madness is a South African film that places dementia under the spotlight. Despite this backdrop, it’s not a depressing story. Rather, it’s an uplifting tale about memory, acceptance, and above all – love. We meet the two central characters, Elna (also known as Ellie) and Daniel, in the sea. This also happens to be their first meeting. We get a fleeting glimpse of how their relationship develops before the narrative transports us in time to an older Dan (played by Ian Roberts) visiting Elna (Sandra Prinsloo) in a care home. When she convinces him that she doesn’t belong there, he helps her escape. For the rest of the film, their three adult children are on their trail, trying to return Elna to the facility.

The story feels somewhat familiar. We’ve seen elements of it in Hans Steek die Rubicon Oor (2023), as well as Die Kwiksilwers (2024). The SABC 2 series Karavaan (2022), with Elsabé Daneel, Kurt Egelhof, and Albert Maritz, also contained strong similarities. Perhaps it shows that, in real life, adult children too often overlook the choices and dreams of their elderly parents.

What sets A Kind of Madness apart, and makes it unique compared to the earlier productions I mentioned, is that Elna suffers from dementia. It’s a theme that director Christiaan Olwagen handles with sensitivity throughout.

Because the older Elna frequently embodies her younger self due to her dementia, scenes between the older Elna (Prinsloo) and the younger Ellie (played by Ashley de Lange) merge seamlessly. According to Prinsloo, she and De Lange had previously worked together on stage, which made it easier to “blend” and become one character. The two also acted opposite each other in the eTV soap Kelders van Geheime and the Showmax series Koek. Ian Roberts and his younger version, portrayed by Luke Volker, also managed multiple times to convincingly “merge” into one character in Elna’s mind’s eye.

As a viewer, this masterful technique gave me insight into how someone with dementia might see and experience life. At the same time, I was able to delight in the incredible, untouched beauty of the Western Cape – a place I’ve never personally visited. It’s no wonder that Elna, as a young Ellie, relives her memories on this very beach.

The performances of the main cast, along with the film’s cinematography, production design, sound design, editing, and other post-production elements, absolutely deserve top marks. The only reason I’m deducting half a point from the rating is because, at one point, the adult children got a little on my nerves.

Olwagen also wrote the screenplay, and the characters’ dialogue reflects his thoughtful exploration of the themes he wanted to convey. He succeeds in doing so through subtext, rather than hitting the viewer over the head. That said, he does strike a few emotional chords – and I couldn’t help shedding a tear.

Ultimately, this film is a celebration of love. Not the kind where the curtain falls after the fairy-tale wedding, but the kind that endures after decades together. If The Notebook (2004) moved you, A Kind of Madness is definitely for you.

Production Information

Running Time

99 min

Writer and Director

Christiaan Olwagen

Website

Screens

s

Age Restriction

16

Cast

Sandra Prinsloo, Ashley de Lange, Ian Roberts en Luke Volker

Rating

4.5/5

Box Office

See NFVF

Written by Anna-Marie Jansen van Vuuren

Professor Anna-Marie Jansen van Vuuren is a senior lecturer and research coordinator for the Film and Visual Communication, programme at the Faculty of Arts, at the Tshwane University of Technology. She specializes in research topics related to “identity” and “representation” in South African cinema—but in plain English: she loves movies, and she loves looking deeply at them.

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